Ducournau takes that combination to another level in a witty, uncomfortable scene that follows. Extreme notions of masculinity are visualised when the male firefighters dance to Gabba music, lit like a pop video, aggressive but homoerotic. He’s also oozing OTT macho energy, injecting what presumably is steroids while quietly crumbling when no one is looking. Julia Ducournau’s Cannes-winning body horror film has stunned its way into becoming one of this year’s most notable titles and France’s Oscar entry. Browse Getty Images premium collection of high-quality, authentic Julia Ducournau stock photos, royalty-free images, and pictures. In every movie we see, women have to be beautiful and fit or whatever the hell, and they have to fit a certain box, and no: women fart, poop, pee, burp. Lindon is terrific in this role, welling up convincingly as he struggles to deal with loss while attempting to pretend it never happened. French director Julia Ducournau looks at her Palme d'Or for 'Titane' at the closing. All the while, her body feels the transformative and. Despite attempts to conceal her body from Vincent, her baby bump continues growing at an alarming rate. She suggests that transness is not a contained error within an otherwise pristine system, but the key to understanding what it means to have a body in the first place. There’s a touching story of grief and denial as Vincent deludes himself about his long-lost son. Titane director Julia Ducournau, the second woman to win the Palme d'Or on casting a non-actor and considering all genders for the role. Ducournau’s imagery reframes tropes of transphobic cinema to illuminate the monstrosity of all gendered bodies, cis or otherwise. But behind its high-octane exterior there are fascinating themes that Ducournau begins to explore. With a pulsating soundtrack and a visual aesthetic that alternates between strip club and abattoir, Titane also is a shock-driven genre film that has plenty of violent, squirm-inducing moments. Director Julia Ducournau reveals how writer’s block nearly kept her from making Neon’s genre-defying Titane, which won Cannes’ 2021 Palme d. Prepare yourself for quite the gender reveal. JULIA DUCOURNAU: I was shooting a TV show the whole summer that’s not mine, The New Look for Apple. She finds shelter in a fire station with a chief, Vincent ( Vincent Lindon), who has lost his son. Alexia has a sexual encounter with/in a vehicle that brings extraordinary consequences, then ends up on the run posing as a man. America On Pedro Costa's Cannes Title 'The Daughters Of Fire' Plots Hong Sangsoo's 'In Water' Double BillĮither way, unwanted attention leads to gruesome ends, but that is just the beginning.
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